Over the course of her decades-long career, Brandy has become a woman
before our eyes, outgrowing the baby-lamb naiveté of 1994's Brandy and assuming the role of self-actualized woman (2002's Full Moon). But it was with 2004's Afrodisiac that she faltered in her steps, openly wallowing in a bitter divorce, before rising above the dancing flames on '08's Human. On Two Eleven, she juggles heartache and romantic solace, a nod to past delusions filtered through the hindsight of 33-year-old reticence.
Chameleon CEO Breyon Prescott emceed the session. "I saw music going
someplace else," he said. "I was like, the only way Brandy should come
back is bringing R&B music back. I see everyone doing dance music,
and I was like, we can't do this," said Prescott, who acknowledged side
work on Dr. Dre's mythical Detox, promising its imminent release.
"We gotta stick to the core, which is R&B. I got to bring you
back to 2012 with hard beats, but the melodies are soft, and the content
of the songs are going to be Brandy."
Throughout Two Eleven, a nod to her birthday and the date of
mentor Whitney Houston's death, Brandy is as quick to pledge allegiance
to lovers as she is to scorn them. On the upcoming Sean Garrett-penned
single "Wildest Dreams," the follow-up to lead track "Put It Down"
(featuring Chris Brown), the emotional rug is pulled from under her:
"Never in my wildest dreams did I think someone could care 'bout me/ Not
just the way you love me, but you know I'm emotional (sometimes)," she
croons over a thwacking beat courtesy of Tha Bizness.
Producer Bangladesh helms the wobbly, club-geared "Let Me Go," which
features an interpolation of Lykke Li's "Tonight," as well as the oiled
slow jam "So Sick," written by Garrett, where the singer shoves off a
violating lover ("How far do you think I'll let you push me before I
cross the line?"). Mike WiLL Made It, known for ratchet anthems
including Meek Mill's "Tupac Back" and Gucci Mane's "Too Sexy," shows
his softer side with "Do You Know," where Brandy cuts down her man for
failing to return her affections.
Elsewhere, Brandy acknowledges that her own emotions have betrayed
her on "Wish Your Love Away," written and produced by Mario Winans. Over
a piping pan flute and serrated drums, she bemoans a man who played her
for a fool – "Remember that you told me you were with it, and all them
other bitches you could do without?" – but she can't shake the spell.
Rico Love and Jim Jonsin lace the pecking mid-tempo ballad "Hardly
Breathing," where she suffers as her lover walks away, while Hit-Boy
blesses the smoldering ballad "White Flag," an admission of emotional
defeat.
Two Eleven, still a work-in-progress set to include 15
tracks, also features the Frank Ocean-written "Scared of Beautiful,"
which will become a duet pending the Odd Future singer's vocal addition.
Over double-time instrumentation, Brandy stops seeking reciprocity and
focuses inward. "I wonder why there's no mirrors on these walls no more/
You can't tell me why you're so terrified of beautiful," she sings.
She's looking only to herself – no man to safety-net her feelings – and
she is ready to face her reflection.
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